As initially Karlo Binsztok was a film director and former student at the Brussels “La Cambre” school, in his painting we see the taste for the image and the unexpected staging. The filmmaker’s eye is always visible in the uniqueness of perspectives. He adores backlighting and uses an endless stream of browns and greys, satiation for the man who claims to be able to paint in a room with the blinds closed, with light beginning in blackness and flickering in the shadows. Suspicious of excess, his profound ability to evoke human experience is to be found in fingerprints and traces.